Humans have always viewed the heavens with wonder and awe. The skies have inspired reflection on the vastness of space, the wonder of creation, and humankind’s role in the universe. In just over one hundred years, science has moved from almost total ignorance about the actual distances to the stars and earth’s place in the galaxy to our present knowledge about the enormous size, mass, and age of the universe. We are reaching the limits of observation, and therefore the limits of human understanding. Beyond lies only our imagination, seeded by the theories of physics. In Measuring the Cosmos, science writers David and Matthew Clark tell the stories of both the well-known and the unsung heroes who played key roles in these discoveries. These true accounts reveal ambitions, conflicts, failures, as well as successes, as the astonishing scale and age of the universe were finally established. Few areas of scientific research have witnessed such drama in the form of ego clashes, priority claims, or failed (or even falsified) theories as that resulting from attempts to measure the universe. Besides giving credit where long overdue, Measuring the Cosmos explains the science behind these achievements in accessible language sure to appeal to astronomers, science buffs, and historians.
Narrative Structures and the Language of the Self by Matthew Clark offers a new way of thinking about the interrelation of character and plot. Clark investigates the characters brought together in a narrative, considering them not as random collections but as structured sets that correspond to various manifestations of the self. The shape and structure of these sets can be thought of as narrative geometry, and various geometries imply various theories of the self. Part One, “Philosophical Fables of the Self,” examines narratives such as The Talented Mr. Ripley,A Farewell to Arms,A Separate Peace, and The Master of Ballantrae in order to show successively more complex versions of the self as modeled by Descartes, Hegel, Freud, and Mead. Part Two, “The Case of the Subject,” uses Case Grammar to extend the discussion to additional roles of the self in narratives such as The Waves,The Great Gatsby,Fifth Business, and Howards End as examples of the self as experiencer, the self as observer, the instrumental self, and the locative self. The book ends with an extended analysis of the subject in Hartley’s The Go-Between. Throughout, the discussion is concerned with practical analysis of specific narratives and with the development of an understanding of the self that moves beyond the simple dichotomy of the self and the other, the subject and the object.
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